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Last of the Real Hard Men
Press Reviews ■
website ■
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biography
LAST OF THE REAL HARDMEN is
always Chris Summerlin and sometimes Lucinda Chua. It is also occasionally
Ian Scanlon and Gareth Hardwick. It is even more rarely Kevin Smith. It
has been Judith Paton. It may be again.
LOTRHM creates
Instrumental Fahey-esque musings that will chill your bones and warm your
cockles. Based in Nottingham, England, Summerlin has been creating noise
and beauty in equal measure in a variety of bands for many years now
(including Reynolds and Wolves of Greece) and currently makes fine rock
music with Lords. |
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press
reviews
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Opposition T
'One man and an amazingly multi-tongued semi-acoustic
guitar. Metal
slidery, fiddly niggle lines, country twangery, thematic chords with
twinkling undercurrents, wolf-whistles and birdcalls, jazz-jerky
playfulness and wayward picking, and a final power-down to steely
tickling. A couple of covers in the set, including a John Coltrane piece,
but the Hardman's bizarrely-titled compositions dominate - "All
of this shit I'm eating is leaving a bad taste in my mouth"; "I can see it
coming and it looks bad"; and a dedication to the guitar, "Song for
Honey". The classicism of Steve Hackett, the beauty of Nick Drake, the
desertscape loneliness of Ry Cooder.
The Last of the Real Hardmen has a tenderness to his touch that makes
the strings sing like a choir, sparkle like spring Sun on a mountain lake.
Sounds that he tells us are miserable are actually full of wistfulness and
memories of past pleasures, there's not a dreary moment in the set.
Sublime ethereal grace.'
- www.oppositiont.co.uk
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